Directed by Tony Caselli, the choice of Tracy Jones is well-timed. The story is presented in about 90 minutes without intermission. Steve DeBruyne plays Tracy Jones #3, a reluctant participant in the gathering, who missed the fact that the gathering was for women only, but ultimately has the story that galvanizes the three Tracy Joneses and their host into something coherent and a landing place for the arc of the play. Madelyn Porter plays Tracy Jones #2, someone with less obvious reasons to connect, and who presents herself with a bit higher professional status than she has in reality.
Jones, organizing the room, bucking up the stressed out Jones. It sounds a bit desperate, because, at bottom, it is.Īlison Megroet plays the hostess at the pub, a relentlessly perky and process-correct waitress/host with the most on her first day, looking after Ms. The link? They have the same name as her. And she hatches this scheme to connect with strangers. Jones has gone to great effort and expense to get the word out for months.ĭuring the play’s exposition, we learn that she is bit socially isolated, the outsider who is not included in their office banter, after-work drinks, etc. Tracy Jones (Emily Sutton-Smith) has rented out the party room of the Jones Street Bar and Grill for a gathering of women named Tracy Jones. Tracy Jones, by Stephen Kaplan, is a story about people longing to connect. Coming out of Mental Health Awareness Month, it’s important to remember the importance of making connections, especially for fragile people. More people than we know about are lonely, feel isolated, in need of human connection.
WILLIAMSTON, MI–One of the most under-rated needs of humanity is connection.
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